If you want to see what the cameras can do exposed correctly, please take a look at our following post here. You won't see these conditions unless you accidentally expose wrongly or shooting into the sun with shadows in the foreground. The following is intended to demonstrate how far the camera can be pushed in terrible conditions. We exposed such that the brightest area of non-sky was exposed to the right (using rawdigger to check) and then stopped down 6 stops and took our ‘under’ exposure.Ī7Rii Servely Underexposed Example (6 stops) Pushed in Lightroom Once calibrated (with a colorchecker) all the images at base exposure looked fairly similarįirst of all we’ll show the comparison without any post processing beyond maximum exposure increase and shadow boost. Here's the scene we'll be working with taken at a normal exposure from the Sony A7Rii. Our test involved exposing a picture so that the brightest parts are exposed to the right and then underexposing a shot by 6 stops. There are rumours that it performs slightly better than the Sony A7R which itself performs better than the Canon. How well does the new Sony A7Rii perform in terms of dynamic range. Sitting at Mark’s kitchen counter and getting a preview of the results it was unsurprisingly clear that the more megapixels you get, the more detail you get in the picture and as this isn’t particularly surprising we thought we’d move onto something that is more of an unknown. This particular test was using the Sigma Art 24mm lens on a view of a quarry on Moss Rigg in the Lake District. Lenses are also important, especially when you’re testing resolution, so we also borrowed the Sigma Art 24 and 50mm lenses. Well we’d been asked about a bunch of them over the last few months but the main interest was in the Canon 5DS(r) and the Sony A7Rii compared with the old A7R. ![]() Never the less, on the drive back to Mark’s house and preparing for a bacon bap for breakfast, we were both interested to see just how well the different cameras had performed. Now I won’t say it was unenjoyable but after an hour of swapping cameras, lenses, settings batteries on a rainy Latrigg hill above Keswick both of our enthusiasm levels had waned somewhat. Lots of gear to play with and we even went over to the Lake District, one of the most beautiful locations in the UK and had the company of Mark Littlejohn - last years winner of Take a View - for company. Testing brand new cameras sounds like such fun.
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